A writer tells us about a story, of which he played a part in, between a Painter and the painter’s Muse.

A stark look at one of Hollywood's darkest mysteries, The Black Dalia (Elizabeth Short) Murder.

Every fifteen days, Antoine, five, spends the weekend at his father's house. Time is counted, limited, condensed. For them, two days to do, to do again, to learn, to understand one another and to each other is little ... The father opens his son the initiatory territory of the forest where to kill is not playing. But on the return of the hunt, the father and son are equally disarmed: Antoine refuses to learn to read, and his father knows that this unknown forest of life is even more dangerous if one loses oneself.

An artist, Robert Pickman, becomes obsessed by visions of unworldly horror, revealed to him through an ancient artifact discovered in an abandoned church.

A road trip of a odd german couple through poland shortly before christmas.

An introverted young poet struggles with a writer's block and meets a mysterious girl, who reminds him of Monica Vitti.

Gabriel Hunt is a successful horror novelist who's lost his muse. Unable to finish the sequel to the frightening novel that made him famous, he's fallen on desperate times. There is only one way he can save his flailing career - he must call forth the dark muse that inspired the first novel. But, Gabriel's muse comes with a price. Once he evokes it, terrifying things start to happen. Gabriel fears that this time he may have written his own ending.

Being one of the most significant, contemporary painters, Albert Oehlen’s approach is complete refusal of the common art circus. In its own way the Film reflects this very stance. Likewise, it questions the purpose of obsolete thinking patterns created by white straight male artists of a certain age that have dominated the art world for centuries.

After the untimely death of her mother, Casey Miller inherits a painting from her mom. Casey becomes increasingly distressed as she begins to notice subtle changes appearing in the painting while a sinister presence closes in on her.